I can finally shout out my happy news from last year and spill all the beans. My dear readers, this book is TEN years in the making. It was purely a math book at first, as a tool to teach combinations of ten and my chicks were very mathematically oriented. I sent it out ... and received a few good rejections. The first time I used the term, my husband said it was an oxymoron. Ah, yes. But thank goodness for those rejections. Over the years, I kept the original concept but kept making the book more fun, letting the chicks do chicklet things instead of math. It was getting better ... I dreamed of pop-up chicks, fuzzy chicks, sound cards at the end, but most novelty books are made by paper engineers. I am not an artist or an engineer but a writer with lots of imagination. I was stumped. It could be a picture book though ...Then a few years ago, I met a delightful novelty writer/illustrator on the Blueboards. She is a household name now -- Salina Yoon. We became friends and I asked whether she could take a look at my manuscript. She was incredibly gracious and suggested I tell the story in rhyme. At first, I was daunted. I'm not a poet. I can write a little poem once in a while. It is something I do to switch from fiction to nonfiction or vice versa. It's a way to play with words, shake things up. But a book in rhyme?!!! Could I pull it off? I took Salina's advice and found myself enjoying the process thoroughly. It was like a puzzle, chicks must do chicklet stuff in rhyme.
Ten eggs. All is quiet. Not a peep.
Nine eggs. One chick hatches. "Cheep, cheep, cheep."
And suddenly, I knew I'd hit gold. Kids will make their parents read this to them 500 times and the parents will not go crazy. Or maybe they will. I don't know. You tell me.
Last year, Debbie Ridpath Ohi posted on the Blueboards about her interview with Celia Lee, editor at Cartwheel books, and her open window of submission for about a month. I thought Ten Eggs would be perfect, so I spit-shined it and sent it off with a prayer. A few weeks later, I got a letter of interest. The rest is history and it's been most educational to learn how a novelty book is made. Celia always kept me in the loop and never minded the many questions I asked and the suggestions I made, but in the end, it's clear I'm just a writer, not an artist or engineer.
When I saw the layout and a sample illustration by Laura Logan, I was over the moon. I couldn't help but use adjectives like cute and darling and adorable.
My heartfelt thanks to my family and critters in WA who read all those iterations of TEE, Verla Kay for the Blueboards, Salina, Debbie, Laura and the entire team at Scholastic for making a dream that began a decade ago a reality. I am delighted.
"This book begs to be touched," says Kirkus. Oh YESSSS! Read the full review.
